Biography by Jason Ankeny Bob Newhart was one of the most successful and beloved comedians of his era; famed for his remarkable deadpan delivery, Newhart's track record as a comic performer was unparalleled, encompassing a string of best-selling albums as well as two of the most acclaimed and long-running sitcoms in television history. While neither as groundbreaking nor as controversial as contemporaries like Lenny Bruce or Mort Sahl, Newhart raised the stand-up format to new levels of mainstream popularity; easily palatable but never pandering, his routines were smart and innovative, subtly bridging the gap between the edgy, confrontational satire of the late 1950s with the breezy comic narratives of the mid-'60s. Born George Robert Newhart on September 5, 1929 in Oak Park, Illinois, he followed a stint in the Army by finding work as a Chicago accountant and advertising copywriter while also performing infrequently in a local theatrical stock company. At the ad agency, Newhart and co-worker Ed Gallagher often whiled away their time by placing long, bizarre phone calls to each other which they eventually began recording as audition tapes for comedy work. When Gallagher opted to begin taking the job more seriously, Newhart continued on alone, honing the one-man, two-way telephone call routines which became the hallmark of his stage act. In 1959, a Chicago disc jockey introduced Newhart to Warner Bros. talent head George Avakian, who signed the aspiring performer to a contract solely on the basis of his home recordings; to date, Newhart had yet to perform his comedy before a live audience. After developing more phone-call monologues as well as playing off his natural stammer to establish a mild-mannered, even nervous, everyman persona, he began performing in nightclubs; his strongest routines, particularly "The Driving Instructor," skewered suburban sensibilities with a wry, modernist eye akin to a warmer, friendlier Shelley Berman. His debut LP, The Button-Down Mind of Bob Newhart, appeared in early 1960; its success was unprecedented, becoming the first comedy record ever to top the Billboard album charts. Newhart became an overnight star, and quickly graduated from selling out nightclubs to selling out theaters. Later in the year, the follow-up, The Button-Down Mind Strikes Back!, also proved phenomenally popular, and for over eight months the albums held down both the number one and number two spots on the charts. After a third successful record, 1961's Behind the Button-Down Mind, Newhart made his first foray into television with an eponymously titled variety and sketch comedy program. Despite critical raves and both an Emmy and a Peabody award, the show fared poorly and was cancelled after only one season; 1962's LP The Button-Down Mind on TV reprised material first heard on the series. That year also marked Newhart's feature-film debut in a supporting role in the wartime drama Hell Is for Heroes, followed in 1963 by the conversational LP Bob Newhart Faces Bob Newhart. After two more albums, 1965's Windmills Are Weakening and 1966's This Is It, he gradually receded from the nightclub stage; after accepting a string of supporting roles in films, including 1970's On a Clear Day You Can See Forever and Catch-22, he returned to television in 1972 with another offering titled The Bob Newhart Show. This one, a sitcom featuring Newhart as Chicago psychologist Bob Hartley, proved remarkably successful; backed by a brilliant supporting cast including Suzanne Pleshette, Bill Daily and Peter Bonerz, the show was an instant hit and aired through 1978, at which point its star felt the series had run its course. Newhart subsequently returned to the stage for a two-year comedy tour, although he did not record any of the material for live release. In 1982, he resurfaced with the series Newhart, another massively successful effort which ran until 1990. In 1991, Newhart toured for the first time in over a decade; another series, titled simply Bob, followed in 1994, but it lasted little more than a year. In 1997 he released his first album in over three decades: titled The Button-Down Concert, it featured all-new live recordings of the material first presented on the original 1960 Button-Down Mind LP. http://allmusic.com/cg/amg.dll?p=amg&sql=11:fifqxq95ldje~T1 Bob Newhart From Wikipedia, the free encyclopedia Jump to: navigation, search Bob Newhart Bob Newhart, September 1987 Birth name George Robert Newhart Born September 5, 1929 (1929-09-05) (age 78) Oak Park, Illinois, United States Medium stand-up, film, television Nationality American Years active 1958-present Genres Sketch comedy, Satire Subject(s) American culture Influences Jack Benny, Robert Benchley, H. Allen Smith, James Thurber, Max Shulman[1] Influenced Ellen DeGeneres,[2] Lewis Black,[3] Norm Macdonald,[4] David Steinberg,[5] Ray Romano,[6] Tom Rhodes,[7] Conan O'Brien, Jay Leno[citation needed] Spouse Virginia Quinn (1964 - present) (4 children) Notable works and roles The Button-Down Mind of Bob Newhart Dr. Robert Hartley in The Bob Newhart Show Dick Loudon in Newhart Website www.bobnewhart.com Golden Globe Awards Best TV Star - Male 1962 Grammy Awards Album of the Year 1961 The Button-Down Mind of Bob Newhart Best New Artist 1961 Best Comedy Performance 1961 The Button-Down Mind Strikes Back! George Robert "Bob" Newhart (born September 5, 1929) is an American stand-up comedian and actor. [edit] Early life Bob Newhart was born on September 5, 1929 in Oak Park, Illinois to George David Newhart and Julia Pauline Burns. Newhart attended St. Ignatius College Prep and Loyola University of Chicago where he graduated in 1952 with a bachelor's degree in business management. He was drafted in the U.S. Army and served stateside during the Korean War until discharged in 1954. [edit] Early career After the war he got a job as an accountant for United States Gypsum. He later claimed that his motto, "That's close enough," shows he didn't have the temperament to be an accountant. He also claimed to have been a clerk in the unemployment office who made $60 a week but who quit upon learning weekly unemployment benefits were $55 a week and "they only had to come in to the office one day a week to collect it." In 1958 he became an advertising copywriter for Fred A. Niles, a major independent film and television producer in Chicago. It was at the company that he and a coworker would entertain each other in long telephone calls which they would record then send to a radio station as audition tapes. When his coworker ended his participation, Newhart continued the recordings alone, developing the shtick which was to serve him well for decades. In addition to his various standup bits, he incorporated that shtick into his television series at appropriate times. [edit] Stand-up comedy albums The auditions led to his break-through recording contract. A disc jockey at the radio station -- Dan Sorkin, who later became the announcer-sidekick on his NBC series -- introduced Newhart to the head of talent at Warner Bros. Records, which signed him only a year after the label was formed, based solely on those recordings. He expanded his material into a stand-up routine which he began to perform at nightclubs. Newhart became famous mostly on the strength of his audio releases, in which he became the world's first solo "straight man." This is a seeming contradiction in terms--by definition, a straight man is the counterpart of a more loony comedic partner. Newhart's routine, however, was simply to portray one end of a phone call, playing the straightest of comedic straight men and implying what he was hearing on the other end of the phone. Newhart told a 2005 interviewer for PBS's American Masters that his favorite standup routine is "Abe Lincoln vs. Madison Avenue," in which a slick promoter has to deal with the reluctance of the eccentric President to agree to efforts to boost his image. The routine was suggested to Newhart by a Chicago TV director and future comedian -- Bill Daily, who would be Newhart's castmate on the 1970s Bob Newhart Show for CBS. Newhart was known for using an intentional stammer, in service of his unique combination of politeness and disbelief at what he was supposedly hearing. His 1960 comedy album, The Button-Down Mind of Bob Newhart, went straight to number one on the charts, beating Elvis Presley and the cast album of The Sound of Music. Button Down Mind received the 1961 Grammy Award for Album of the Year. Newhart also won Best New Artist, and his quickly-released follow-on album, The Button-Down Mind Strikes Back, won Best Comedy Performance - Spoken Word that same year. Subsequent comedy albums include Behind the Button-Down Mind of Bob Newhart (1961), The Button-Down Mind on TV (1962), Bob Newhart Faces Bob Newhart (1964), The Windmills Are Weakening (1965), This Is It (1967), Best of Bob Newhart (1971), and Very Funny Bob Newhart (1973). Years later he released Bob Newhart Off the Record (1992), The Button-Down Concert (1997) and Something Like This (2001), an anthology of his 1960s Warner Bros. albums. [edit] Television Newhart's success in stand-up led to his own NBC variety show in 1961, The Bob Newhart Show. The show lasted only a single season but earned Newhart an Emmy Award nomination and a Peabody Award. The Peabody Board cited him as: a person whose gentle satire and wry and irreverent wit waft a breath of fresh and bracing air through the stale and stuffy electronic corridors. A merry marauder, who looks less like St. George than a choirboy, Newhart has wounded, if not slain, many of the dragons that stalk our society. In a troubled and apprehensive world, Newhart has proved once again that laughter is the best medicine. In the mid-1960s, Newhart appeared on The Dean Martin Show 24 times, and The Ed Sullivan Show eight times. He appeared in a 1963 episode of The Alfred Hitchcock Hour. Newhart guest hosted The Tonight Show Starring Johnny Carson 87 times, and hosted Saturday Night Live twice, in 1980 and again in 1995. He also appears in Desperate Housewives as Morty, Susan's step-dad. [edit] Sitcoms Newhart's most notable exposure on television came from two long running programs centering on him. From 1972 to 1978, Newhart starred in the popular Bob Newhart Show on CBS in which he played a Chicago psychologist and husband of Emily, played by co-star Suzanne Pleshette. In 1982, Newhart returned to primetime with a new sitcom, Newhart, on CBS, co-starring Mary Frann. The two shows have a connection: when Newhart went off the air in 1990, it ended with a scene (met by screams of laughter from the studio audience) in which Newhart wakes up in bed with his wife from "The Bob Newhart Show". He realizes (in a satire of a famous plot element in the TV series Dallas a few years earlier) that the entire Newhart series was a nightmare provoked by "eating too much Japanese food before going to bed," as the final Newhart episode had him selling his country inn to Japanese investors. Recalling Mary Frann's buxom figure and her choice of clothing, Bob closes the segment and the series by telling Emily, "You should really wear more sweaters." before the typical closing notes of the old Bob Newhart Show theme played over the fadeout. In 1992, Newhart returned to television with a series called Bob, about a cartoonist. An ensemble cast included a pre-Friends Lisa Kudrow, but the show did not develop a strong audience and was cancelled shortly after the start of its second season. In 1997, Newhart returned again with George and Leo on CBS with Judd Hirsch and Jason Bateman; the show was canceled during its first season. [edit] Other appearances In 2001, Bob made an appearance on MAD TV (Season 6), playing a psychiatrist who yells "Stop it!" in a very memorable skit. His other television work includes: The Entertainers (regular performer in 1964) Thursday's Game (1974) Marathon (1980) Ladies and Gentlemen... Bob Newhart (1980) Ladies and Gentlemen... Bob Newhart Part II (1981) The Entertainers (1991) The Simpsons (1996) In and Out (1997) The Sports Pages (2001) The Librarian: Quest for the Spear (2004) The Librarian: Return to King Solomon's Mines (2006) He guest-starred on ER in a rare dramatic role that earned him an Emmy Award nomination, his first in nearly 20 years. In 2005 he began a recurring role in Desperate Housewives as Morty, the on-again/off-again boyfriend of Sophie (Lesley Ann Warren), Susan Mayer's (Teri Hatcher) mother. His most recent appearance was on the 2006 Emmys hosted by Conan O'Brien. He was a part of a gag in which he was placed in an air tight glass prison that contained 3 hours of air. If the Emmys went over the time of 3 hours, he would die. This gag was an acknowledgment of the common frustration that award shows usually run on past their allotted time (which is usually three hours). [edit] Newhart as an author On September 20, 2006, Hyperion Books released Newhart's first book, I Shouldn't Even Be Doing This. The book is primarily a memoir, but features comic bits by Newhart as well. As comedian David Hyde Pierce notes, "The only difference between Bob Newhart on stage and Bob Newhart offstage – is that there is no stage." [1] [edit] Persona Newhart is known for his deadpan delivery and a slight stammer which early on he incorporated into the persona around which he built a successful career. On his TV shows, although he got his share of funny lines, often he worked in the Jack Benny tradition of being the "straight man" while the sometimes somewhat bizarre cast members surrounding him got the laughs. Several of his funniest bits involve hearing one half of a conversation as he spoke to someone over the phone. For example, in a routine called King Kong, a rookie security guard at the Empire State Building seeks guidance as to how to deal with an ape who is "18 to 19 stories high, depending on whether we have a 13th floor or not". He assures his boss he has looked in the guards manual "under 'ape' and 'ape's toes'". Other famous routines include "The Driving Instructor," "The Mrs. Grace L. Ferguson Airline (and Storm Door Company)", "Introducing Tobacco To Civilization", and "Abe Lincoln's Press Secretary". [edit] Filmography Two of Newhart's most memorable roles were in two very different military-themed films, the 1962 film Hell Is for Heroes (where he provided some comic relief using his man-on-the-telephone routine), and his portrayal of Major Major Major Major in the 1970 film version of Catch-22. He also appeared in: Hot Millions (1968) On a Clear Day You Can See Forever (1970) Catch-22 (1970) Cold Turkey (1971) The Rescuers (1977) (voice) Little Miss Marker (1980) First Family (1980) The Rescuers Down Under (1990) (voice) In & Out (1997) Legally Blonde 2: Red, White and Blonde (2003) Elf (2003) The Librarian: Quest for the Spear (2004) The Librarian: Return to King Solomon's Mines (2006) Bob also appeared in a 'Short' for IBM spoofing Herman Hollerith's idea to record the 1890 census figures on punched cards. [edit] Honors In addition to his Peabody Award and several Emmy nominations, Newhart's recognitions include the following: Three Grammy awards in 1961: Best New Artist, Best Comedy Performance (Spoken Word) and Album of the Year for The Button-Down Mind of Bob Newhart. In 1993 Newhart was inducted into the Academy of Television Arts & Sciences Hall of Fame. In 1998, Billboard magazine recognized Newhart's first album as #20 on their list of most popular albums of the past 40 years, and the only comedy album on the list. On January 6, 1999 Newhart received a star on the Hollywood Walk of Fame. In 2002 he won the Mark Twain Prize for American Humor. In 2004, Newhart was #14 on Comedy Central's list of the 100 Greatest Stand-ups of All Time. On July 27, 2004, the American cable television network TV Land unveiled a statue of Newhart on the Magnificent Mile in his native Chicago, depicting Dr. Robert Hartley from The Bob Newhart Show. The statues depict Dr. Hartley sitting in his therapy practice chair with a pencil held between his hands, and a patients' sofa next to him. The bronze set is now located in the small park in front of the entrance of Navy Pier. [edit] Personal life Newhart was introduced by Buddy Hackett to Virginia "Ginnie" Quinn, the daughter of late character actor Bill Quinn. She became his wife on January 12, 1963. The couple have four children (Robert, Timothy, Jennifer, and Courtney), and several grandchildren. His son Rob (who portrayed his father in 1993's Heart & Souls, with Robert Downey Jr.) maintains his father's official website. Newhart and his wife are good friends with comedian Don Rickles and Rickles' wife, Barbara, and the couples often vacation together. Newhart and Rickles appeared together on The Tonight Show with Jay Leno on January 24, 2005, the Monday following Johnny Carson's death, reminiscing about their many guest appearances on Carson's show. [edit] Trivia Trivia sections are discouraged under Wikipedia guidelines. The article could be improved by integrating relevant items and removing inappropriate ones. This article needs additional citations for verification. Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (October 2007) The final scene of the final episode of Newhart introduced a technique that is sometimes known as "breaking the fifth wall" — an analogy with breaking the fourth wall in which the fifth wall becomes the convention that two television characters could not be the same person. The idea for that scene came from the actress playing Newhart's wife. During Newhart's television career he repeatedly resisted playing a father. When presented with a script of The Bob Newhart Show in which his character's wife was revealed to be pregnant, Newhart's response to the writers about the script was "Suzanne and I love the script, but who are you going to get to play Bob?" Whenever Newhart was asked whom he admired the most as a comedian, he never hesitated with his somewhat surprising answer: Richard Pryor. Upon Pryor's death in 2005, Newhart paid tribute by calling him "the seminal comedian of the last 50 years."[8] Like Bill Cosby, Newhart rarely uses profanity for humorous effect. The closest Newhart comes is in his bit "The Driving Instructor," where he makes an attempt at a joke with an angry pedestrian, and then merely echoes the unseen/unheard pedestrian by saying, "No, I don't suppose it is so damn funny." Another time, in "Hangover" he alluded to a cuss word. His hung over character asks what his wife's cooking for dinner. After a pause, he retches and replies "Honey, will you call it creamed chipped beef on toast, please?" (suggesting his wife said "shit on a shingle"). During the 70s, teenagers and college kids would play a drinking game while watching The Bob Newhart Show. Everytime someone said, "Hi Bob," people were required to take a drink. http://en.wikipedia.org/wiki/Bob_Newhart